Friday, April 8, 2011
New Portugal. The Man Song "Once Was One"
What do you think? If you have listened to them before, there is a lot of resemblance towards their Censored Colors album, especially the songs "And I" and "Colors." The album, you can tell from the teaser, is extremely refined and well produced especially since Grammy award winner Andy Wallace mixed the album. I'm excited for these dudes, it should be interesting to see how well the album is received by the "indie" population. Hopefully they will transcend that group and catch a more wider audience too. Who knows? With a band that works as hard as they do, it sure as hell possible...
Wednesday, April 6, 2011
Sci-Fi Genre (Must-See)
Tuesday, April 5, 2011
Drama Genre (Must-See)
Monday, April 4, 2011
Romance Genre (Must-See)
Sunday, April 3, 2011
Portugal. The Man
"Unknown" Movie Review
As a film critique I am supposed to be as critical as possible. I am supposed to watch a film in an un-biased viewing, yet, still critique in the upmost critical way. Have you ever seen a film where in the first 15 minutes of the run time you think to yourself, "Hey, this movie has a lot of potential?" Most movies start off with that same promise of entertaining, but intelligent story telling. Then bam, the transforms into a meandering mess with a rushed third act and an ending that really is not developed enough, nor do you care enough to really be dazzled by the end product. "Unknown" falls into this category of could have, would have, and should have.
"Unknown" tells the story of Dr. Matthew Harris (Nesson), a professor of biotech engineering and his wife Dr. Liz Harris who fly into Berlin, Germany for a medical conference, where a famous Biotech engineer will unveil his top secret research project. This is only the begging of where things get a big foggy, literally for our titular character, and metaphorically for the poorly executed plot. After Matthew leaves his briefcase at the Airport, he rushes back there to go find it, but his cabdriver ends up getting into a car accident where he is hit on the head from impact and forgets portions of memories.
The problem with this story is not the specific events that occur during the unfolding of this thriller action film, quite the contrary actually, the individual events that happen in this film are interesting and well developed, but how they are executed and unfolded for the audience is mundane and rushed. This movie could have been a unique entry into the "memory-loss" genre. But, the filmmakers behind "Unknown", respectively Jaume Collet-Serra, obviously saw too many films like his own, ala "The Bourne Identity" and tried so hard to imitate that formula, but lost sight of what makes a movie revolutionary; intelligence, uniqueness, and entertaining, not copying an already trite formula and calling it "new."
Believe me; I understand that the running theme in this review is "could have been so much more." "Unknown" really could have been surpassed other films in the same category. Except, with a rushed third act and a supposedly "twist" ending, the film really didn't know where it wanted to go, and how it wanted to be taken by its audience. The ending was truly the icing on the shit cake.
Normal thrillers place key story elements throughout the movie, not rush everything into a 5 minute scene that doesn't even really feel that important. That is where the writers of this film, Oliver Butcher and Stephen Cornwell, really went down the wrong path. "Unknown" is just a plethora of poorly shot fight and chases scenes, with no actual semblance of thrill in the plot, and, instead opted to put all of the important information at the end of the film in a poorly executed scene.
With actors like Liam Nesson and Diane Kruger giving out spectacular performances, you start to think of this movie being on par with "The Bourne Identity." But, immediately in the beginning of the film, you start to see a bustling of bad acting, especially from January Jones, the amazing actress from Mad Men whom I expected so much more from here. But, you can obviously tell that she did not put as much effort in as the always great Liam Nesson, or even Diane Kruger.
Those fight scenes. If there is one other large complaint about this movie, other than the rushed third act and poorly executed plot, is that the fight scenes and chase scenes weren't shot well. I did not get the real feel of these men fighting, nor did I feel the thrill of these chase scenes. More than anything, I thought to myself "When will these scenes be over with?" It's a complaint that I've had for years now with modern action and kung-fu films. They don't show the damned fight. All the cinematographers do is shot a half second clip of, let's say a fist punching someone in the face, then a half second clip of a knee hitting someone in the ground, you get where I'm going with this. It's poorly shot, and the audience does not really get the scale or the thrill of the fight. It's annoying, trite, and to be honest the antitheses of exciting, boring.
Though "Unknown" has many flaws, and it probably does come off as I hated this film, there were some redeeming aspects to the movie. The characters where at least interesting and no matter how much I see Liam Nesson nowadays, I still think he's an awesome actor who pours every fabric of his being into his rolls. The "twist" ending, though it was rushed and kind of unoriginal, was still pretty cool. The writers just needed to execute the ending better, but like I said in the beginning, would have, could have, and should have.
It really is tough critiquing a movie. Sometimes I want to see a film and just watch it for what it is. Enjoy it, and just absorb the entertaining and thrilling aspects that bring you along for the ride. Everyone else in the theater with me was well over 50. They all loved it. Seriously, they all thought this movie was spectacular. When walking out the theater all I could here was, "Wow I did not expect that," or "That girl was so good, she really did put on a good performance." Sometimes I wish I couldn't be as critical as I have to be, but this is the line of work I choose. This movie sucked, and I will stand by my word.
Friday, April 1, 2011
Frank Zappa craziness
Twist Endings (Must-See)
5. Shutter Island
Shutter Island tells the story of U.S. Marshall Teddy Daniels, played by Leonardo Dicaprio, who goes to an isolated insane Asylum on Shutter Island. Things only get stranger from there as Teddy starts to investigate a disappearance of one inmate. It seems as though the nurses and orderlies from the hospital are conniving on imprisoning Teddy at the hospital. It even seems as though Teddy’s partner Chuck, played by Mark Ruffalo, has plans of his own while on Shutter Island. This film is filled with paranoia, schizophrenia, hallucinations, and most of all more twists and turns that I haven’t seen since a Hitchcock film. This movie really does its best to emulate the Hitchcockian genre. But, it’s all in the ending; it will move you, rock you, and most importantly, as you watch the film again countless times, it will be an entirely different experience the second time around.
4. Psycho (1960)
Hitchcock was the master of suspense. He created countless films thathad people of all ages on the edge of their seats, and his films still hold that same resonance today. From his movies North by Northwest to The Birds, his films have a special quality that only few have emulated, I.E. Shutter Island. Psycho is a perfect example of how talented of a filmmaker that Alfred Hitchcock was. He used music, camera angles, and acting in a way that only he pioneered. First of all, he made the first film to feature blood in a gruesome way. He also used music not as a tool for enjoyment, but to make the audience cringe, and to set an uncomfortable feeling of dread and insanity throughout the films runtime. This is a horrific film, with an amazing twist ending that is so unexpected, you will watch the movie over again to just catch the suitable hints that Hitchcock lays out for the audience throughout his masterpiece.
3. The Usual Suspects
Who is Keyser Soze? Is the seminal question that the audience will be asking themselves throughout the entire film. The Usual Suspects is a fascinating film about a group of criminals who have just heisted a truck and are looking for the man they call Keyser Soze. As each man has wronged Keyser Soze in the past, they are killed off one by one, and the police are left with the same question that all of the characters are asking throughout the film, who actually is Keyser Soze? The Usual Suspects is the best film, in my opinion, from director Bryan Singer. No other film of his holds the award for best twist ending like this movie does, because, when you find out who Keyser Soze is, you will scream at the television with fiery anger, then hold your breath for a moment to gasp in the genius of what you just witnessed.
2. The Sixth Sense
Was this film just a fluke? I mean, really. No other film by M. Night Shyamalan has been as good as The Sixth Sense, and this filmmaker continues to make bad movies. Maybe Unbreakable was good, but no other filmblew us away as much as The Sixth Sense did. First time viewers of this film have no idea what is in store for the ending. So many movies and television shows have made fun of people ruining the ending of this film for new viewers. It’s funny because, no matter how many times I see this film, it still shocks me every time. “I see dead people,” is the perfect line, because I did not see that ending coming. Also, who can’t complain that Bruce Willis was bigger than ever after this movie came out? He rocks.
1. Memento
Crime Genre (Must-See)
5. "L.A. Confidential"
"L.A. Confidential" is a modern classic in Noir-Crime dramas. It is so heavily influenced by films from the 1950s that it shows the essence of life in that era, but adds a modern style in its direction and effortless storytelling. "L.A. Confidential" tells the story of three cops in the Los Angeles Police Department and how they all research, investigate, and start to understand the mystery behind a coffee shop shooting in their own unique ways. The writing is so tight in this movie, adding its own special flair to critique the 1950s era of cinema, but to also pay homage to the not-so- innocent Hollywood of the era. As Sid Hudgens (Danny DeVito) says in the opening monologue, "Life is good in Los Angeles ... it's paradise on Earth. Ha, ha, ha, ha. That's what they tell you, anyway." "L.A. Confidential" is a movie that twists and turns with interesting characters and a far more mind-blowing conclusion that will have you screaming at your television screen.
4. "The Departed"
"The Departed" is a fabulous film that studies the psyche degradation of a cop who goes undercover into the world of crime. Leonardo DiCaprio is here, in arguably his best performance yet, and plays the man character, Billy Costigan. Billy just finishes police school for the Massachusetts State Police and he is asked the simple question right off the bat. "Do you want to be a cop? Or,do you want to pretend to be a cop?" This question leads Billy to accept the duty of going undercover into a world of crime with mob boss Frank Costello, played perfectly by Jack Nicholson. Things get more complicated from there as Costello already has a Massachusetts State Police insider, Colin Sullivan, played by Matt Damon. It is very interesting to see the two lifestyles these characters lead as Billy goes in a downward spiral of drug use and depression, and as Colin becomes the lead detective on the case for arresting Frank Costello. This movie is truly a masterpiece and rightfully won filmmaker Martin Scorsese his first Best Picture and Best Director Academy Awards.
3. "The Godfather"
According to many, nothing passes the seminal work of gangster cinema like "The Godfather." Francis Ford Coppola's masterpiece, which some consider to be the best film ever made, is a movie that catalogues the events in the life of crime family the Corleones. Marlon Brando plays Don Corleone and is the best part of this movie. He plays this character so spot on. With blood, sex, violence and character-driven drama, this film brought together most aspects of cinema that weren't even used in major Hollywood films. This was a time when films did not even use violence as graphic as it was used in this film. By today's standards, the film is not violent at all, but in the 1970s when it came out, this film was gory. It was good, and it will always be epic.
2. "Pulp Fiction"
Imagine a film that incorporates gangsters, boxers, bondage, rape, dialogue, and drugs all wrapped around a flawless story about a secret briefcase, a fixed fight and a night out on the town. If you throw all these into a blender of cinema you'll have "Pulp Fiction." John Travolta and Samuel L. Jackson pay Vincent and Jules, and they are sent out on a mission by their mob boss Marsellus. Or is it a mission from God? The same mob boss, Marsellus, is after a boxer Butch, who wins a fight that he was supposed to lose and they both get caught up in the most horrifying incident a man can endure. Vincent, the man gangster from before, also takes Marsellus's wife out on a "friend" date while his boss is out of town, and they fall into trouble as well. Quentin Tarantino's best film to date is filled with superb dialogue and storytelling that truly makes this filmmaker one of the best of his era. With snappy and intelligent dialogue passing you by, even the characters, story, and music help you watch this movie, even in repeated viewing, with your jaw dropped waiting to see what happens next.
1. "Goodfellas"
Even though Martin Scorsese created a masterpiece with "The Departed," his best film hands down is still "Goodfellas." The reason being that Goodfellas is flawless, with no creative faults or mistakes. The writing is perfect, the editing is perfect, and so are the amazing performances by Robert De Niro, Ray Liotta and Joe Pesci. So good, actually, it won Joe Pesci an Academy Award. This film speaks to all the film buffs of the world, cascading you into a world of crime and drama unseen in any other film that comes to mind. Yes, The "Godfather" was the first gangster movie to feature blood and language, but "Goodfellas" said "F" you and slapped a whole new meaning to the word gratuitous. "Goodfellas" will rock you to the core, with its endless use of language, violence, and a near-perfect soundtrack. "Goodfellas" is a must-see.